![]() "There is nothing as necessary as biology. "There is no alternative to growing up" Znaimer told NOW magazine in 1982 while discussing Citytv's 10th Anniversary. But change is paramount to the Citytv success story. He recently celebrated 35 years at the helm looking roughly the same as he did when he started, even as everything around him has changed fundamentally. If CityPulse was the daily soap opera of Toronto, then Martineau is its Victor Newman. But O’Reilly said it’s only a matter of time before it’s available to the masses.According to Gord Martineau, it was former Toronto Mayor and all around Citytv fanatic David Crombie who once said in deference to the CityPulse news team's cramped studio space at 99 Queen Street East, "the city is your newsroom." The program had debuted in May of 1977 with its own striking subtitle - a day in the life of Toronto - and a very strict remit from Citytv's visionary man upstairs Moses Znaimer: "You can decide that news is 24 discrete mini-events delivered with the voice of doom, or you can say, as we do, that it's the daily soap opera of Toronto." An event using the HoloPod can cost upwards of $20,000. The software that enables these large data packs to travel over the common internet fully secure, fully encrypted with almost no noticeable latency.” ![]() I have an earpiece so I can hear you as well, and we take that data, and we put it into our ARHT engine server, and really that’s what our business is all about. “My audio is being captured with a little microphone here. “I’m being captured in 4K,” said ARHT CEO Larry O’Reilly, who beamed himself from Toronto for the interview with Spectrum News 1. A dark background and colored lights give the appearance of a 3D image in real-time. The image is created in front of a regular green screen and then projected onto a highly reflective mesh. Kay’s interview was done in front of a HoloPod, a 3D display system by Canadian company ARHT Media. ![]() Once the stuff of science-fiction, holograms are now becoming a reality as companies race to meet the exploding demand for connectivity in a post-pandemic world. “It’s not just a shot on a monitor like a head-and-shoulder-shot, it’s a full-bodied hologram, and the clarity is such that you could swear the person is standing right there,” he said. So Martineau found the next best thing, beaming himself 2,500 miles from Canada to California as a hologram. Martineau, who’s working on a documentary about the music scene in Toronto’s Yorkville neighborhood in the 1960s, had hoped to interview Kay in person, but COVID-19 threw a monkey wrench into his plan. Thank you so much for taking the time to do this,” Martineau said as he kicked off the interview.Įven before he could finish, Kay let out a, “Wow!” “It looked like Scotty from Star Trek just put you in front of me,” he added. “The joys of the magic of a hologram, with us now, John Kay, we’re so happy to have you with us today, John. But it wasn’t so much what he was about to say that was so unusual but how.Īs he sat in front of a futuristic-looking screen, his interviewer, Canadian journalist Gord Martineau, beamed up as a 3D hologram. This interview was unlike any of the hundreds, if not thousands, that he had done before. “When you get into this new territory, it keeps you from becoming the guy in a rocking chair on your porch, right?” he said. But on a particular morning in early March, as he waited in the greenroom of the Santa Monica studios of Digital Nation Entertainment, he knew that would not be a problem - at least not this time. The last thing the man known for the song Born to Be Wild wants to be is boring.
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